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The Annals of Imperial Rome (Penguin Classics)
Ebook Free The Annals of Imperial Rome (Penguin Classics)
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Language Notes
Text: English, Latin (translation)
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About the Author
Tacitus studied rhetoric in Rome and rose to eminence as a pleader at the Roman Bar. In 77 he married the daughter of Agricola, conqueror of Britain, of whom he later wrote a biography. His other works includethe Germania and the Historiae. Michael Grant's academic titles include Chancellor's Medallist and Fellow of Trinity College, Cambridge, and President of the Classical Association.
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Product details
Series: Penguin Classics
Paperback: 464 pages
Publisher: Penguin Classics; Revised edition (June 30, 1956)
Language: English
ISBN-10: 9780140440607
ISBN-13: 978-0140440607
ASIN: 0140440607
Product Dimensions:
5.1 x 0.9 x 7.8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
57 customer reviews
Amazon Best Sellers Rank:
#78,122 in Books (See Top 100 in Books)
What is there to say that hasnt been said for the last couple millennia....Two very enthusiastic thumbs up!
This book is a masterpiece. It begins with a battle in what is now Germany. The description of the rugged Roman Legions is shocking and informative. There were often insurrections for more pay. These were usually put down harshly, a method Tacitus agrees will help keep order. In describing the city of Rome and its upper class citizens, I was amazed at the backbiting, lies, executions, and barbarous behavior shown by almost everyone. It is a bitter book and shows how power corrupts absolutely. I admit to having to read it in small doses for the terrain covered is very bleak.
Great translation by Michael Grant. Thoroughly enjoying it. Superior to other translations out there, in my opinion. The Penguin Classics could do their readers a favor, however, and publish their books in a bit larger font.
Tacitus, the Annals, are first rate. If you love ancient Roman history, this is the book for you.
Tacitus (AD c.55-117), a Roman senator of the 2nd Century AD and famed historian, has written a brilliant year-by-year account of the Roman Empire from 14 AD to 66 AD. The book begins with the last year of Augustus and the assumption of power by the new emperor Tiberius and concludes with the final years of Nero. While certainly not the fault of either Tacitus or the contemporary editor, it is unfortunate that the book is missing vital chapters that have been lost over the centuries. This is particularly galling because the gaps come in vital transitional years. Thus, the loss of the chapters covering 30 and 31 AD leaves us without a description of the fall of Sejanus, commander of the Praetorian Guard under Tiberius. It gets worse, with the nine years of 38-47 AD also missing. This excludes the entire reign of Caligula and the first six years of Claudius' reign. Finally, the last chapter is missing the years 67-69 AD which cover the fall of Nero and the beginning of civil war. These missing years make the book painful to read because just as a particular section is reaching a climax, the main even is deleted. Thus what remains of the history is mostly the middle years of Tiberius, Claudius and Nero. There is no doubt that Tacitus is a biased historian, despite his claims to impartiality. According to him, Tiberius, Claudius and Nero were all pretty poor emperors, marred by gross personal and moral flaws. This is far too simplistic, particularly given that nowhere does Tacitus espouse pro-Republican or anti-oligarchical opinions. Claudius in particular comes off worse than most readers would expect, after a generally favorable modern image due to Robert Graves' I Claudius. Tiberius is a highly controversial figure due to his aloof personality, but the portrait of him as a paranoid sex-obsessed maniac is more hostile than objective. Tacitus fails to mention that the last century of the Roman Republic was marred by violence that affected most if not all of Roman society. One man rule had given rulers the ability to eliminate most opposition but it had also centralized violence. The beginning of the Pax Romana - the greatest gift of the principate to World history - is not apparent to Tacitus. The book does have interesting chapters on Germanicus' retribution campaign in Germany, a cohort that is decimated for cowardice in Africa and the revolt of Queen Boudicca in Britain. When the British are defeated in 60 AD and 80,000 are slaughtered, Tacitus proudly notes that, "the Romans did not spare even the women. Baggage animals too, transfixed with weapons, added to the heaps of dead. It was a glorious victory..." Some of Nero's part-time hobbies make interesting reading, too. Nero liked to disguise himself and go out with a gang of thugs into the city of Rome at night and harass or assault people at random. After several incidents where he himself was roughed up by his intended victims, Nero began taking gladiators along as bodyguards. There is also a brief mention of Jesus Christ and Pontius Pilate, the only Roman mention of this trial. However the book tends to drag down in places, like the treason trials of Tiberius and the purges of Nero. As far as this translation by Michael Grant, the translator has taken far too many liberties. Readers familiar with the Roman Empire will be annoyed by Grant's clumsy use of "brigade" instead of "legion", "battalion" instead of "cohort" and "company commander" instead of "centurion". Grant drifts further from the true meaning by referring to a legion plus its auxiliaries as a "division" and there are a number of other substitute terms. These substitutions add nothing to reading clarity and it gets confusing when he refers to brigades and divisions simultaneously. On the plus side, the maps at the end of the book and the appendices were quite useful.
3 Stars as this is a cheap Barnes & Noble hard back.
It is interesting till the translator tries to update the organization of the Roman army. It is distracting in that that organization was different from current armies and should be treated as such. The job of translators is to render the subject as it was written and not to change it as the see fit.
OK. A bit dry.
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